{"id":295,"date":"2012-02-05T10:37:28","date_gmt":"2012-02-05T10:37:28","guid":{"rendered":"http:\/\/www.ferri-benedetti.ch\/?page_id=295"},"modified":"2024-10-18T16:10:27","modified_gmt":"2024-10-18T16:10:27","slug":"accademia","status":"publish","type":"page","link":"https:\/\/www.ferri-benedetti.ch\/?page_id=295","title":{"rendered":"Accademia"},"content":{"rendered":"\n<h3 class=\"wp-block-heading\"><strong>Studies<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>European PhD\u00a0<em>magna cum laude<\/em><\/strong>\u00a0<strong>(2014) <\/strong>in Literature (<em>Lenguas y Literaturas<\/em>) at\u00a0Universitat de Val\u00e8ncia<em>\u00a0<\/em>\n<ul class=\"wp-block-list\">\n<li>(Thesis: &#8220;La Tradici\u00f3n Cl\u00e1sica y el melodrama metastasiano: el caso de\u00a0<em>Issipile<\/em>&#8220;)<\/li>\n\n\n\n<li>Co-directed by Greek Literature Prof. Dr. Carmen Morenilla Talens (Valencia) and musicologist and opera seria expert Dr. Christine Fischer (Basel). <\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>MA (2010,\u00a0<em>cum laude<\/em>) in Historical Singing at\u00a0Schola Cantorum Basiliensis<em>\u00a0<\/em>(CH)\u00a0\n<ul class=\"wp-block-list\">\n<li>(Thesis on the long-forgotten opera\u00a0<em>Issipile<\/em>, Vienna 1732, by F. B. Conti and P. Metastasio)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>BA (2008) in Historical Singing at\u00a0Schola Cantorum Basiliensis<em>\u00a0<\/em>(CH)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>MA (<em>Licenciatura<\/em>) in Translation Studies (2005) at\u00a0Universitat Jaume I<em>\u00a0<\/em>(Spain)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Piano Diploma (2004,\u00a0<em>cum laude\u00a0<\/em>in Harmony\/Counterpoint) at Consevatorio de Vila-real (Spain)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Italian Teacher Diploma (EOI, 2003) in Castell\u00f3n (Spain)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Classical <em>Abitur<\/em> (2000) <em>cum laude <\/em>in Latin, Greek, History and Art History in Castell\u00f3n (Spain)<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Special High School Award (<em>Generalitat Valenciana, <\/em>2000)<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Fields of interest<\/strong> include classical tradition, philology, Italian language and literature, musicology, dramaturgy, baroque and neo-classical aesthetics of the 18th century, translation, philological edition of long-lost musical works and translation of libretti.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Academic activities<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Research about Metastasio, Opera Seria and Baroque Opera<\/strong><\/li>\n\n\n\n<li><strong>Translation: specialized in musicology\/poetry\/literature<\/strong> (especially translating Italian libretti into English)<\/li>\n\n\n\n<li><strong>Proofreading<\/strong> <strong>text and music<\/strong><\/li>\n\n\n\n<li><strong>Edition of musical scores for performance or publishing <\/strong>(specialized in Italian repertoire: <em>cantata, opera seria&#8230;<\/em>)<\/li>\n\n\n\n<li>Member of <a href=\"https:\/\/www.uv.es\/gratuv\/\">GRATUV<\/a> <em>Grup de Recerca i Acci\u00f3 Teatral de la Universitat de Val\u00e8ncia<\/em> since 2011<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Teaching<\/strong><\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Lecturer\/Coach of Singing and Accompanist\u00a0<\/strong>at the\u00a0<strong>Schola Cantorum Basiliensis (Basel, CH) since 2019<\/strong>.<\/li>\n\n\n\n<li><strong>Lecturer of Historical Singing<\/strong> at the<strong> Z\u00fcrcher Hochschule der K\u00fcnste (CH) from 2018 to 2024.<\/strong><\/li>\n\n\n\n<li><strong>Masterclass\u00a0<\/strong>of Baroque Opera at\u00a0<strong>Theater Akademie August Everding (Munich) 2019 and 2022<\/strong>.<\/li>\n\n\n\n<li><strong>Masterclass <\/strong>of Baroque Singing at <strong>Lithuanian Academy of Music (Vilnius) (2024<\/strong>) <\/li>\n\n\n\n<li><strong>Masterclass <\/strong>of Belcanto<strong>\u00a0<\/strong>at\u00a0<strong>Conservatorio Superior de M\u00fasica de Valencia<\/strong> <strong>(2016)<\/strong><\/li>\n\n\n\n<li><strong>Masterclass <\/strong>of Baroque Singing at the <strong>Hochschule f\u00fcr Musik Freiburg<\/strong> (D) <strong>(2023) <\/strong><\/li>\n\n\n\n<li><strong>Masterclass<\/strong> for baroque gestures and <em>recitativo secco<\/em> at <strong>Musik-Hochschule Winterthur\/Z\u00fcrich<\/strong> [<strong>June 2011<\/strong>]<\/li>\n\n\n\n<li><strong> Masterclasses<\/strong> at the<strong> Schola Cantorum Basiliensis<\/strong> (Basel) in Italian diction for singers (especially <em>recitativo secco<\/em>) [<strong>2012-2015&#8230;<\/strong>]<\/li>\n\n\n\n<li>Teaching <b>Voice<\/b> at the <strong>Z\u00fcrcher Hochschule der K\u00fcnste<\/strong> (Zurich University of the Arts) from<strong> March to May 2015<\/strong> &#8211; in replacement of Prof. Akerlund.<\/li>\n\n\n\n<li>Teaching privately <strong>since 2008<\/strong> in Basel (CH) and Spain.\u00a0[Technique, repertoire coaching, Italian diction and prosody&#8230;]<\/li>\n<\/ul>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Articles<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">-Ferri-Benedetti, F. <em>El legado de la tradici\u00f3n cl\u00e1sica: el caso de la \u00f3pera barroca.<\/em>&nbsp;<strong>Florentia Iliberritana (Estudios de la Antig\u00fcedad Cl\u00e1sica):<\/strong>&nbsp;<strong>XXIII (2012).<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">-Ferri-Benedetti, F. <em>Hypsipyle from Lemnos to Vienna: an Approach to the Metastasian Heroine.<\/em>&nbsp;<strong>Tycho: I (2013).<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">-Ferri-Benedetti, F. <em>&#8220;La tua Grecia, la quale a me non \u00e8 Dio&#8221; &#8211; Martello y Metastasio reinterpretando a Arist\u00f3teles<\/em>.&nbsp;<strong>HVMANITAS: LXV (2013).<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">-Ferri-Benedetti, F. &#8220;Metastasio adaptado para el teatro espa\u00f1ol &#8211; El caso de la ISSIPILE&#8221;, en Maestre Maestre, J. M., Ramos Maldonado, S. I., D\u00edaz Gito M. A., P\u00e9rez Custodio, M. V., Pozuelo Calero B., Serrano Cueto, A. (eds.) <em>Humanismo y Pervivencia del Mundo Cl\u00e1sico V. Homenaje al profesor Juan Gil<\/em>,\u00a0<strong>Alca\u00f1iz: Instituto de Estudios Human\u00edsticos\u00a0(2015) | <\/strong><strong>ISBN Vol. V: 978-84-00-10002-5<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">-Ferri-Benedetti, F. &#8220;Dell&#8217;opra eccitator primiero&#8221;: Metastasio, Farinelli e Ferdinando VI nelle dediche gemelle per la Nitteti del 1756.\u00a0<strong>Margini XIV, 2020 ISSN 1662-5579\u00a0<\/strong><a href=\"https:\/\/margini.unibas.ch\/web\/rivista\/numero_14\/saggi\/articolo2\/ferri-benedetti.html\">https:\/\/margini.unibas.ch\/web\/rivista\/numero_14\/saggi\/articolo2\/ferri-benedetti.html<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">-Ferri-Benedetti, F. &#8220;Forum: Gibt es eine geschlechtsspezifische Musikalit\u00e4t?&#8221; In:\u00a0<strong><em>Musik &amp; \u00c4sthetik<\/em>\u00a0109 (Januar 2024), pp. 67-69<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">-Ferri-Benedetti, F. &#8220;Un&#8217;opera tutta delicata: Vokal\u00e4sthetik im\u00a0<em>Demetrio<\/em>\u00a0von Caldara &amp; Metastasio (Wien 1731)&#8221; In:\u00a0<strong><em>Musik &amp; \u00c4sthetik<\/em>\u00a0112 (Oktober 2024), pp. 18-35<\/strong>\u00a0<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Books<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ferri-Benedetti, F.&nbsp;<em>La Passione di Ges\u00f9 Cristo <\/em>(Partitura), KDP Amazon, 2023 &#8212; ISBN 978-3952585924<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ferri-Benedetti, F.&nbsp;<em>Anthologia 1991-2023 (Poesie fino ai quarant&#8217;anni)<\/em>, KDP Amazon, 2023 &#8212; ISBN 978-3952585900<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ferri-Benedetti, F.&nbsp;<em>El hilo de Hips\u00edpila: Metastasio y la Tradici\u00f3n Cl\u00e1sica<\/em>, Bari, Levante Editori, 2015 &#8212; ISBN 978-88-7949-654-4 &#8212; &nbsp;Out of print<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Ferri-Benedetti, F.&nbsp;<em>Florilegium: Antologia poetica 1999-2016<\/em>, Bari, Levante Editori, 2017 &#8212; ISBN 978-88-7949-674-2 &#8212; Out of print<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong>Selection of Editions and Translations<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Francesco Bartolomeo Conti &amp; Pietro Metastasio: <em>Issipile<\/em> (Vienna, 1732)<br><strong>URTEXT edition<\/strong>, <strong>introduction and English transalation of the libretto<\/strong><br>Published by <strong>GRAN TONANTE (Sweden) &#8211; 2011<\/strong>\u00a0 ***<br><a href=\"http:\/\/grantonante.entos.net\/products\/11-belcanto-rarities-vol-i.aspx\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/grantonante.entos.net\/products\/11-belcanto-rarities-vol-i.aspx<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N. Porpora: <em>Agrippina<\/em> (Napoli,1708) &#8211; URTEXT Edition by Holger Schmitt-Hallenberg<br><strong>Edition and proofreading of the Italian<\/strong> <strong>text <\/strong>by Flavio Ferri-Benedetti<br>Expected by<strong> GRAN TONANTE (Sweden) &#8211; 2012<\/strong>\u00a0 ***\u00a0 <a href=\"http:\/\/www.grantonante.com\" target=\"_blank\" rel=\"noopener noreferrer\">http:\/\/www.grantonante.com<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><i>Rules for Measured Music, Counterpoint and Accompanying<\/i> (Anonymous, MS E.25 Bologna), Translation by Flavio Ferri-Benedetti, EarlyMusicSources.com, 2019, <a class=\"internal mw-magiclink-isbn\" href=\"https:\/\/de.wikipedia.org\/wiki\/Spezial:ISBN-Suche\/9783033076648\">ISBN 978-3-033-07664-8<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><a href=\"https:\/\/www.ferri-benedetti.ch\/wp-content\/uploads\/2022\/04\/Captura-de-Pantalla-2022-04-21-a-las-12.48.09.png\"><img decoding=\"async\" width=\"722\" height=\"1024\" src=\"https:\/\/www.ferri-benedetti.ch\/wp-content\/uploads\/2022\/04\/Captura-de-Pantalla-2022-04-21-a-las-12.48.09-722x1024.png\" alt=\"\" class=\"wp-image-1149\" style=\"width:378px;height:auto\" srcset=\"https:\/\/www.ferri-benedetti.ch\/wp-content\/uploads\/2022\/04\/Captura-de-Pantalla-2022-04-21-a-las-12.48.09-722x1024.png 722w, https:\/\/www.ferri-benedetti.ch\/wp-content\/uploads\/2022\/04\/Captura-de-Pantalla-2022-04-21-a-las-12.48.09-212x300.png 212w, https:\/\/www.ferri-benedetti.ch\/wp-content\/uploads\/2022\/04\/Captura-de-Pantalla-2022-04-21-a-las-12.48.09-768x1089.png 768w, https:\/\/www.ferri-benedetti.ch\/wp-content\/uploads\/2022\/04\/Captura-de-Pantalla-2022-04-21-a-las-12.48.09-1084x1536.png 1084w, https:\/\/www.ferri-benedetti.ch\/wp-content\/uploads\/2022\/04\/Captura-de-Pantalla-2022-04-21-a-las-12.48.09-1445x2048.png 1445w, https:\/\/www.ferri-benedetti.ch\/wp-content\/uploads\/2022\/04\/Captura-de-Pantalla-2022-04-21-a-las-12.48.09-42x60.png 42w, https:\/\/www.ferri-benedetti.ch\/wp-content\/uploads\/2022\/04\/Captura-de-Pantalla-2022-04-21-a-las-12.48.09.png 1562w\" sizes=\"(max-width: 722px) 100vw, 722px\" \/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Proofreading and translation into English and Spanish of Italian libretti and cantatas for several artists (Iestyn Davies, Xavier Sabata, Valer Sabadus, Alicia Amo, Guillermo Turina \/ Eugenia Boix&#8230;) in CD booklets or concert programs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Studies Fields of interest include classical tradition, philology, Italian language and literature, musicology, dramaturgy, baroque and neo-classical aesthetics of the 18th century, translation, philological edition of long-lost musical works and translation of libretti. Academic activities Teaching Articles -Ferri-Benedetti, F. El legado de la tradici\u00f3n cl\u00e1sica: el caso de la \u00f3pera barroca.&nbsp;Florentia Iliberritana (Estudios de la Antig\u00fcedad Cl\u00e1sica):&nbsp;XXIII (2012). -Ferri-Benedetti, F. Hypsipyle from Lemnos to Vienna: an Approach to the Metastasian Heroine.&nbsp;Tycho: I (2013). -Ferri-Benedetti, F. &#8220;La tua Grecia, la quale a me non \u00e8 Dio&#8221; &#8211; Martello y Metastasio reinterpretando a Arist\u00f3teles.&nbsp;HVMANITAS: LXV (2013). -Ferri-Benedetti, F. &#8220;Metastasio adaptado para el<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-295","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.ferri-benedetti.ch\/index.php?rest_route=\/wp\/v2\/pages\/295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ferri-benedetti.ch\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ferri-benedetti.ch\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ferri-benedetti.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ferri-benedetti.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=295"}],"version-history":[{"count":0,"href":"https:\/\/www.ferri-benedetti.ch\/index.php?rest_route=\/wp\/v2\/pages\/295\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ferri-benedetti.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}